Drug Addicts Forced Into ‘Sweatshops’ by Vietnam ‘Treatment Centers’ – Christian Post

Drug Addiction: Drug Addicts Forced Into ‘Sweatshops’ by Vietnam ‘Treatment Centers’ – Christian Post
In a report released by Human Rights Watch of New York City, “Forced labor and physical abuse are not an adjunct to drug dependency treatment in Vietnam,” the report says. “Rather, they are central to how the centers operate.” Human Rights Watch …
Drug Addiction – Bing News

Drug Addiction: BC-HKN–Fedoruk’s Drug Addiction, HKN – Daily Oklahoman
VOORHEES, N.J. (AP) — As rain washed over him, Todd Fedoruk stumbled on the streets of Tampa in his latest haze, this one ignited by a concoction of booze and cocaine. His secret, reckless lifestyle had fueled his transformation from NHL enforcer to a …
Drug Addiction – Bing News

Drug Addiction: Spud’s Job Interview SCENE – Trainspotting MOVIE (1996) – HD



Spud (Ewen Bremner) goes to his required job interview high on speed and screws it up on purpose. TM & © Miramax Films (2011) Buy Movie: www.amazon.com Scene: Spud’s Job Interview – movieclips.com Movie Details: Trainspotting (1996) – movieclips.com Cast: Ewen Bremner, Victor Eadie, Ewan McGregor, Hugh Ross, Kate Donnelly Director: Danny Boyle Producer: Andrew Macdonald Screenwriter: Irvine Welsh, John Hodge Film Description: Trainspotting is a 1996 British drama film directed by Danny Boyle based on the novel of the same name by Irvine Welsh. The movie follows a group of heroin addicts in a late 1980s economically depressed area of Edinburgh and their passage through life. The film stars Ewan McGregor as Mark Renton, Ewen Bremner as Spud, Jonny Lee Miller as Sick Boy, Kevin McKidd as Tommy, Robert Carlyle as Begbie, and Kelly Macdonald as Diane. Author Irvine Welsh also has a cameo appearance as hapless drug dealer Mikey Forrester. The Academy Award-nominated screenplay, by John Hodge, was adapted from Welsh’s novel. The title of the film refers to a hobby of sitting and watching trains pass by and is used as a synonym for ‘wasting time’. Beyond drug addiction, other concurrent themes in the film are exploration of the urban poverty and squalor in “culturally rich” Edinburgh. The film has been ranked 10th spot by the British Film Institute (BFI) in its list of Top 100 British films of all time. In 2004 the film was voted the best Scottish film of all time in a general
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